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Lâavant-dernieÌre version de la reÌaliteÌ
The penultimate version of reality
đ Edition bilingue : Français đ«đ· et Anglais đŹđ§
đ Disponible aussi au @macval.musee , aÌ la billetterie dans le hall dâaccueil.
đ·Â«Â Lâavant-dernieÌre version de la reÌaliteÌ »
Brognon Rollin
256 pages, 170 reproductions, 17 x 23 cm, 25 âŹ.
Textes de Jean-Michel Attal, Julien Blanpied, Anne Ellegood, EÌric Fassin, Axelle GreÌgoire, Lucien Kayser, Frank Lamy, Pierre-Olivier Rollin, Anthony van Bossche
Designed with đ by @granduchy
BOOK AVAILABLE TOMORROW at @macval.musee and @bps22_charleroi. Designed with love by the best @granduchy đ. Texts by Jean-Michel Attal, Julien Blanpied, Anne Ellegood, Eric Fassin, Axelle GreÌgoire, Lucien Kayser, Frank Lamy, Pierre-Olivier Rollin and Anthony van den Bossche. Photos by: Leslie Artamonow, Isabelle Arthuis, Olivier Belot, Boshua, EÌric Chenal, Philippe De Gobert, Ana Drittanti, Alfonzo Garza, Lucien Kayser, AureÌlien Mole, Fabrice Seixas, Fred Thouillot and Donald Van Cardwell. Thank you to the MAC VAL and the BPS22 teams for this amazing publication. #book #brognonrollin #monography đ @francois_bauchet @ant1bert1 @charlottegounant @yul_blanpied @anneellegood @anthony_van_den_bossche @javat75 @jagabo @originsstudio.art @donald_cardwell @elvin1969 @sold_inc @stephen.korytko @lemot2passe @diskotame @fraclorraine @mudamlux @lucierichardbijoux @anneclairedavy @fracpoitoucharentes @carine_smets @floredesbois @fondationsalomon @frederic_net @israel_museum @__anna__milone @asukahisa @serge_dlum @_societies @tconch @jerome_poggi @art.a.i.r @flax_la @theicala @serge_dlum đ
INTERVIEW : About « The Penultimate Version of Reality » (english subtitles) @macval.musee đ Thank you Julien Blanpied and Mac Val Productions #video #interview #museum #france #paris #contemporaryart #artisttalk #exhibition #brognonrollin https://vimeo.com/427690260
#blackouttuesday
Until Then (MAC VAL), 2020
Performance, Line sitter Elvin Wiliams @elvin1969 (Same Old Line Dudes @sold_inc )
En collaboration avec Yves De Locht, meÌdecin geÌneÌraliste (Bruxelles)
En 2012, les Same Old Line Dudes inventent un nouveau meÌtier, Line sitter. Ils attendent sur les trottoirs new-yorkais pour les impatients deÌsirant le nouvel Iphone ou le premier rang dâune pieÌce de theÌaÌtre sans le deÌsagreÌment dâune file dâattente.
Hiver 2020, en Belgique, une personne a notifieÌ aÌ plusieurs reprises aux meÌdecins sa volonteÌ de ne plus vivre afin dâabreÌger sa douleur.
A lâheure exacte de sa mort, le 16 mars aÌ 12h00, Elvin Williams a quitteÌ le @macval.musee , laissant sa chaise vide.
Until Then Armchair (MAC VAL), 2019
Acier inoxydable, tissu
105 x 84,5 x 80 cm
En Collaboration avec @francois_bauchet
Until Then Armchair est un fauteuil de veille. Dossier droit, accoudoirs de meÌtal, structure rembourreÌe, il offre le confort neÌcessaire aÌ la longue station assise et impose une posture vigilante. Vues dâexposition (c) AureÌlien Mole. DeÌtail (c) @bohumil_kostohryz Text: @anthony_van_den_bossche #brognonrollin #artperformance #contemporaryart #euthanasia #museum #chair #design #linedudes #francoisbauchet #exhibition #waiting #art
« I Lost My Page Again (Page 20) », 2020 #marqueteriedepaille #strawmarquetry #waitingroom #brognonrollin #artcollection #artcurator #artexhibition #exhibitions #contemporaryart #museum #collector #artgallery #art #collection #artist #paris #france #wait #time #losangeles #artcollector #instaart #masterpiece #timebasedart @lucierichardbijoux Exhibition view @macval.musee (c)AureÌlien Mole
PAUSE (56 Days), 2020 #confinement #lockdown #time #book #finger #bookmark #art #contemporaryart #painting @macval.musee
« The Most Beautiful Attempt », 2012 _ A young boy crouching in a dark room tries to keep lines of salt that have been formed on the ground, in the daylight that is coming through the window. A race against time therefore takes place regulated by the continual movement of the sun around the room. The boy methodically repeats the same laborious gestures with the help of a ruler, trying to keep these lines within the rays of light and to keep them out of the shade…
A literal and laborious measurement of the passage of time. An artisanal and manual version of the archaic gnomon. Cosmic time versus labour time. An accelerated initiation to a sublime parable about the vanity of our actions. Text by @ln_guenin #exhibition @macval.musee Collection @fracpoitoucharentes #video #artvideos #brognonrollin #sisyphus #salt #light #sun #window #museum #videoart #sunset #art #artcollection #museumcollection #kid #artist #film #artfilm #performance #artperformance #contemporaryart #mythe
« Le Miroir de Claude », 2019-2020
Stainless steel table for hard drugs consumer, black mirror (c. 1870)
The âblack mirrorâ, also known as a âClaude glassâ, was a small portable mirror with a slightly convex surface, tinted with lampblack. It was a vital accessory for naturalist painters in the 18th century, as its contrasting reflection simplified landscapes and facilitated composition. To use it, painters had to take up a position that was new for the time: looking at nature by turning their back on it. __ (FR)
Table de consommation de drogues dures, miroir noir (vers 1870)
Le miroir noir, dit aussi « miroir de Claude le Lorrain », est un petit miroir portatif aÌ la surface leÌgeÌrement convexe, teinteÌe au noir de fumeÌe. Accessoire indispensable aux peintres naturalistes du XVIIIe sieÌcle, son reflet contrastĂ© simplifie les paysages et facilite le cadrage. Il impose aux artistes une position ineÌdite pour lâeÌpoque : regarder la nature en lui tournant le dos. Exhibition view: @macval.musee #mirror #museum #contemporaryart #artwork #collector #artcollector #france #artexhibition #exhibition #brognonrollin #table #artmuseum #macvalbrognonrollin (c) AurĂ©lien Mole. Text by: @anthony_van_den_bossche
By the great @___s_k_k_i___ ©ïž
@macval.musee
#lavantderniereversiondelarealite #soloshow #tempssuspendu
#brognonrollin
CONFINEMENT « Attempt of Redemption », 2012-13. The men in the image are inmates at the Ecrouves detention center. Their choreography follows the lines marked out on the floor of the prison gym and redraws a singular process of marking time: DOORS CLOSED. Promenade. Legal visit, Family visit. Infirmary. Atelier. School. DOORS LOCKED. Collection: @fraclorraine @lesfracgrandest _ Exhibition: @macval.musee #lockdown #prison #inmate #circle #videoart @charlottegounant @marine.vanschoonbeek
QUARANTINE « Cosmographia (Ăle de Tatihou) », 2015
Located off the coast in Normandy, the Island of Tatihou was used mainly as a military base. It served as a jail for prisoners of war but also as a lazaretto for quarantining crews and merchandise from ports where the plague, or some other disease, was rife.
In 2015, we traced on paper itâs outline on a scale of 1:1, centimeter by centimeter. Everyday, working on site, we posted the contours to the person who commissioned the work.
The stainless steel shelf archiving the island was designed by @francois_bauchet
Exhibition views @macval.musee (c)Aurélien Mole
Lighting designer Serge Damon @serge_dlum
âšâš @macval.musee ă»ă»ă»
đ Coup d'oeil sur l'exposition de Brognon Rollin "L'avant-derniĂšre version de la rĂ©alitĂ©" đ prĂ©sentĂ©e Ă partir du 7 mars ! đž Rejoignez-nous au vernissage pour la dĂ©couvrir dĂšs le vendredi 6 mars Ă 18h30. #macvalbrognonrollin đđŒ @bertrandtibo
Totentanz (Golden shoot), 2012. Collection @mudamlux #videostill #art #mudamcollection #contemporaryart #brognonrollin #video #museum #dance #glitter #gold #dancemacabre #addiction #museum #videoart #mudam #mudamluxembourg @ln_guenin
« The Path of Oum Hani », 2020. This neon present the fate line nestled in the palm of a homeless woman we met at -La Halte des Femmes de lâHotel de Ville de Paris-. Now supple and organic, diverted from its usual minimalism, the neon demonstrates the identity of the model through these isolated and monumental lines. Displayed like an ex-voto, it appears to defy a mapped out destiny and attempt to avert the course of thing. Commissioned by @thanksfor.nothing and @paris_maville. Gift to @lafabriquedelasolidarite. SPECIAL THANKS to Oum Hani and @marine.vanschoonbeek @blanche_delestrange @a._pi @aleks_gfernandez @thanksfor.nothing @lafabriquedelasolidarite @oliviermartinaud @macval.musee #contemporaryart #neon #artwork #brognonrollin
« I Lost My Page Again (Page 18) » #marqueteriedepaille #strawmarquetry #waitingroom #veterinary #brognonrollin #artcollection #luxembourg #contemporaryart #collector #art #collection #artist #art #wait #time #artcollector #instaart #timebasedart @lucierichardbijoux @carine_smets @pascalinesmets Photos (c) @bohumil_kostohryz
Thank you @un_spaced ă»ă»ă»
'8 M2 Loneliness', 2013. Clock with motion sensor. Time is suspended when the visitor enters the 8 m2 room, the size of a standard cell at the Ecrouve prison. Via @duende_pr #contemporaryart #museum #clock #sculpture. Soon at @macval.musee
ScĂ©nographie by @brognonrollin de la sublime piĂšce COMPARUTION IMMĂDIATE II. UNE LOTERIE NATIONALE ? Du 8 janvier au 2 fĂ©vrier au thĂ©Ăątre @rondpointparis _ De Dominique Simonnot, mise en scĂšne : Michel Didym, collaboration artistique et interprĂ©tation : Bruno Ricci ___ En « comparutions immĂ©diates », les prĂ©venus ont un quart dâheure pour ĂȘtre jugĂ©s, Ă©viter la dĂ©tention ou la prĂ©ventive. Soit le suspect est relĂąchĂ©, soit il intĂšgre lâenfer carcĂ©ral. Ă tort ou Ă raison, vite fait bien fait. Manque de moyens, lourdeurs administratives, dĂ©rives et absurditĂ©s. SuccĂšs de la saison 2017-2018, le premier volet de Comparution immĂ©diate mettait en scĂšne les paroles dâhommes et de femmes perdus devant un tribunal correctionnel.
Autres cas, autres affaires aujourdâhui… Le comĂ©dien Bruno Ricci entre en scĂšne avec un nouveau matĂ©riel documentaire, propos recueillis lors dâautres audiences de diffĂ©rents tribunaux. Lâacteur se fait tour Ă tour prĂ©venu ou prĂ©sident, psychotique, avocat en colĂšre, greffiĂšre ou expert incompĂ©tent. Câest la justice ordinaire quâil donne Ă voir et entendre. @theatre.manufacture (C) Eric Dydim
« Hic Sunt Dracones », 2016 ___ Hic Sunt Dracones (or Here be Dragons) means dangerous or unexplored territories, in imitation of a medieval practice of putting illustrations of dragons, sea monsters and other mythological creatures on uncharted areas of maps where potential dangers were thought to exist. ___ FR: Câest un terme de cartographie mĂ©diĂ©vale utilisĂ© pour dĂ©signer des territoires dangereux ou encore inconnus. ImprimĂ© sur une flĂšche lancĂ©e en tout sens par un Sign Spinner dans une rue paisible de West Hollywood, Hic Sunt Dracones est un appel publicitaire Ă l'intranquilitĂ© comme norme de nos sociĂ©tĂ©s occidentales | @aarrowsignspinners | From July 4th to September 2nd @ledeltanamur #losangeles #signspinner #contemporaryart
The ladder is still there on monday December 2nd 2019. ______ Our work « Statu Quo Nunc, 2016 » is a contract between artists and collectors who bet together on the stability of the Statu Quo in the Church of the Holy Sepulchre. The ladder is the symbol of the Statu Quo. @frederic_net @charlottegounant @floredesbois @balconies__